Director: Ari Aster Writer: Ari Aster Cast: Joaquin Phoenix, Deirdre O'Connell, Emma Stone, Pedro Pascal Trailer Eddington is a horror...

Superman launched into theatres last weekend with a $220 million international opening, sparking a new era of something much needed back into Superhero movies: hope. The film is projected to do another 60 million this weekend.

Deep Dive Review: The Cabin In The Woods (2011) Director: Drew Goddard Writers: Joss Whedon, Drew Goddard Cast: Kristen Connolly: Dana,...

In the shadows of summer’s heat, stories sharpen. This week, the cinematic world delivered a slate of trailers drenched in action, myth, and melancholy, alongside casting shifts and directorial moves that hint at genre evolution. Whether you're drawn to swords, street chases, or dystopian futures, there's a fresh pulse in the grey.

Based on fan polls, vibes, and pure dark-hearted instinct, here are the Top 10 Meta & Satirical Horror Movies — followed by some bonus deep cuts for the horror heads who love it weird.

M3GAN 2.0 is superior to its predecessor, but that's not a difficult thing to achieve. While it levels up with camp, choreographed violence and fight scenes, and better character the development, the film is not strong enough to indicate if this will turn into a successful franchised that leans into satire or if it's genuinely beginning to take itself seriously enough be a voice in the advancements of artificial intelligence.

We are halfway through 2025, and it's been an interesting year for horror. From haunting reboots to bold originals, here's our picks for the top five horror films released so far:

The Monkey: Directed: Osgood Perkins Written by: Osgood Perkins, Stephen King (Short Story in The Skeleton Crew) Cast: Theo James,...

Companion is a wicked and delicious hard lean into the diabolical nature of control and the human condition on how far we are willing to bend when it comes to dominion over others. This movie is a stylized, razor-sharp dark comedy that dissects emotional dependence, abusive relationships, control over autonomy, and dehumanization. This film is not for the weak.

Heart Eyes is the logical conclusion when a meet-cute leads to a murder. Director Josh Ruben (of Scare Me and Werewolves Within) said he wanted all the romantic moments to feel as “Nora Ephron” as possible, and all the horror moments to lean into Wes Craven, which is evident throughout the entire film.

Final Destination Bloodlines breathed some new life into one of the most loved and unfathomably ridiculous fatal franchises. A new spin on the wheel has death lingering through ancestral history, something that could have been brilliantly tied to previous installments but fell short of making meaningful connections, aside from a couple of Easter eggs.